{"id":51016,"date":"2024-06-18T12:54:51","date_gmt":"2024-06-18T12:54:51","guid":{"rendered":"https:\/\/staging.europeanviolins.eu\/?product=laberte-violin-zh-hant"},"modified":"2026-02-20T09:43:28","modified_gmt":"2026-02-20T09:43:28","slug":"laberte-violin","status":"publish","type":"product","link":"https:\/\/staging.europeanviolins.eu\/zh-hant\/product\/laberte-violin\/","title":{"rendered":"\u5c0f\u63d0\u7434Laberte Humbert"},"content":{"rendered":"

\u628a\u7f8e\u9e97\u7684\u6cd5\u570b\u5c0f\u63d0\u7434\uff0c\u7531 Laberte-Humbert \u88fd\u4f5c\u3002<\/span><\/span><\/h2>\n


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\"laberte-humbert\"<\/p>\n

About Laberte-Humbert Fr\u00e8res :<\/strong>
Marc Laberte was born into a family of violin makers.
His great grandfather set up a workshop in Mirecourt around 1780.
On 21 May 1904, he married Marie Adeline Josephine Th\u00e9r\u00e8se Drouin but she died on 15 December 1909.
Before her death, she gave birth to Andr\u00e9 Emile Philippe Laberte; Philippe, as he was known, would become a violin maker like his father.
After the death of his first wife, he married again, this time to Genevi\u00e8ve Josephine Paule Francine Thouvenin on 15 April 1912 in Besan\u00e7on.\u00a0\u00a0\u00a0<\/p>\n

They had a daughter on 6 June 1916 named Claude.[3] In 1915 Marc Laberte joined Fourier Magni\u00e9 (1868-1946) and established the new firm under the name “Laberte-Humbert Fr\u00e8res, Fourier Magni\u00e9 R\u00e9unis”.
A comprehensive catalogue, including the complete range of products and instruments in the lutherie field was published by the firm that same year.
In 1927, the firm continued its development by buying the well-known trademark “A La Ville de Cremonne\u201d from Paul Mangenot.
One can find this mark stamped with its characteristic triangular shape on the inside back of many good Mirecourt violins of the 19th century.
Included in the deal was the use of names such as Honor\u00e9 Derazey, Just Derazey, Paul Mangenot, and Didier Nicolas a\u00een\u00e9, the last of whom was first to have used this trademark.
Soon thereafter in that same year, a new catalogue including the recently acquired brands was published, this time under the name Laberte & Magni\u00e9.
It is interesting to note that this same catalogue includes two pages dedicated to the collection of antique Italian instruments belonging to Marc Laberte and the \u201ccopies\u201d available for purchase that were made after the originals.
On these instruments, the label of “Marc Laberte, Ma\u00eetre Luthier” appears beside a reproduction of the Italian maker’s label. In 1931,
Laberte received the Grand Prix for the Stradivox Magn\u00e9, a phonograph, which was produced in different versions.
These attempts at diversification were made to help the firm withstand the increasing competition and recession effects during that period. Unfortunately,
World War II brought despair on Mirecourt as well as the rest of Europe.
The Laberte production ended entirely, as the stock and production tools were raided and stolen.
By 1944 the firm resumed its activity, but the production never reached the same levels as prior to the war and eventually the difficult economic
climate during the post war years, led to the unavoidable decline of the Laberte production. Philippe Laberte,
Marc Laberte\u2019s son, joined the firm during this period and tried to maintain a production catered toward the high end of the market.
Marc Laberte died in 1963. <\/p>\n

From Wikipedia, the free encyclopedia<\/p>\n

More old violins<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

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